Her composition “was a reflection piece as I looked out on the abundance of the fields surrounding my rural Iowa home. Each panel is an abstraction, but assembled, the pieces are reminiscent of a stained glass window in a house of worship. We often give thanks for our numerous blessings, only to want and desire more before we leave the seats of worship. This is to hold us in the place of thanksgiving a little longer as we dwell on the ‘harvest of plenty.’”